The bestselling classic and masterpiece of psychological fiction
'The greatest psychological thriller of all time' ERIN KELLY
'The book every writer wishes they'd written' CLARE MACKINTOSH
'Excellent entertainment . . . du Maurier created a scale by which modern women can measure their feelings' STEPHEN KING
On a trip to the South of France, the shy heroine of Rebecca falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.
Not since Jane Eyre has a heroine faced such difficulty with the other woman. An international bestseller that has never gone out of print, Rebecca is the haunting story of a young girl consumed by love and the struggle to find her identity.
'Rebecca is a masterpiece' GUARDIAN
'This chilling, suspenseful tale is as fresh and readable as it was when it was first written' DAILY TELEGRAPH
Some books change lives. This is one of them . . . It has the drive of a thriller but the imagery of a romance . . . This is a book that is hard to set aside; it demands to be read late into the night with eyes burning and heart racing - Val McDermid
Now a hugely acclaimed, six-times Oscar-nominated film by Todd Haynes, starring Cate Blanchett and Rooney Mara.
Therese is just an ordinary sales assistant working in a New York department store when an alluring woman in her thirties walks up to her counter. Standing there, Therese is wholly unprepared for the first shock of love. She is an awkward nineteen-year-old with a job she hates and a boyfriend she doesn't love;
Carol is a sophisticated, bored suburban housewife in the throes of a divorce and a custody battle for her only daughter. As Therese becomes irresistibly drawn into Carol's world, she soon realises how much they both stand to lose . . .
First published pseudonymously in 1952 as The Price of Salt, Carol is a hauntingly atmospheric love story set against the backdrop of fifties New York.
'She wrote exciting plots, she was highly skilled at arousing suspense' GUARDIAN
'This novel catches fire' NEW YORK TIMES
'With unfailing du Maurier skill, the author has coupled family interest with dramatic sense' ELIZABETH BOWEN
She set men's hearts on fire and scandalized a country.
In Regency London, the only way for a woman to succeed is to beat men at their own game. So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, before long she is noticed by the Duke of York.
With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government and brings personal disgrace.
A vivid portrait of overweening ambition, Mary Anne is set during the Napoleonic Wars and based on the life of du Maurier's own great-great-grandmother.
Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church - the only available shelter from the rain - and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security.
Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on the run, living hand to mouth with nothing but their sisterly bond and a ragged blade to protect them. Despite bouts of petty violence and moments of desperation, their shared life was laced with moments of joy and love. When Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves.
Set in turn-of-the-century New York, Edith Wharton's classic novel The Age of Innocence reveals a society governed by the dictates of taste and form, manners and morals, and intricate social ceremonies. Newland Archer, soon to marry the lovely May Welland, is a man torn between his respect for tradition and family and his attraction to May's strongly independent cousin, the Countess Ellen Olenska. Plagued by the desire to live in a world where two people can love each other free from condemnation and judgment by the group, Newland views the artful delicacy of the world he lives in as a comforting security one moment, and at another, as an oppressive fiction masking true human nature. The Age of Innocence is at once a richly drawn portrait of the elegant lifestyles, luxurious brownstones, and fascinating culture of bygone New York society and a compelling look at the conflict between human passions and the social tribe that tries to control them.
'No novel about any black woman could ever be the same after this' TONI MORRISON
'Corregidora is the most brutally honest and painful revelation of what has occurred, and is occurring, in the souls of Black men and women' JAMES BALDWIN
Upon publication in 1975, Corregidora was hailed as a masterpiece, winning acclaim from writers including James Baldwin, Maya Angelou, Toni Morrison and John Updike. Exploring themes such as race, sexuality and the long repercussions of slavery, this powerful novel paved the way for Beloved and The Colour Purple. Now, this lost classic is published for a new generation of readers.
Blues singer Ursa is consumed by her hatred of Corregidora, the nineteenth-century slave master who fathered both her mother and grandmother. Charged with 'making generations' to bear witness to the abuse embodied in the family name, Ursa Corregidora finds herself unable to keep alive this legacy when she is made sterile in a violent fight with her husband. Haunted by the ghosts of a Brazilian plantation, pained by a present of lovelessness and despair, Ursa slowly and firmly strikes her own terms with womanhood.
AS HEARD ON THE BACKLISTED PODCAST
'A literary giant, and one of my absolute favourite writers' TAYARI JONES, author of AN AMERICAN MARRIAGE
Also new to the VMC list: Eva's Man and The Healing by Gayl Jones.
'An American writer with a powerful sense of vital inheritance, of history in the blood' JOHN UPDIKE
'Gayl Jones's first novel, Corregidora (1975), was both shocking and ground-breaking in its probing of the psychological legacy of slavery and sexual ownership through the life of a Kentucky blues singer ... it predated Alice Walker's The Color Purple and Toni Morrison's Beloved, revealing an unfinished emancipation and the power of historical memory to shape lives. It also marked a shift in African-American literature that made women, and relationships between black people, central' MAYA JAGGI, Guardian
'Corregidora's survey of trauma and overcoming has become even better and more relevant with the passage of time. It remains an indispensable point of entry into the tradition of African American writing that Gayl Jones reshaped and enriched' PAUL GILROY
The international classic and bestseller, Maya Angelou's memoir paints a portrait of 'a brilliant writer, a fierce friend and a truly phenomenal woman' (BARACK OBAMA).
'I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again' Maya Angelou
In this first volume of her seven books of autobiography, Maya Angelou beautifully evokes her childhood with her grandmother in the American south of the 1930s. Loving the world, she also knows its cruelty. As a Black woman she has known discrimination, violence and extreme poverty, but also hope, joy, achievement and celebration.
'I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity' JAMES BALDWIN
'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY
'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON
Lucy Entwhistle's beloved father has just died, and aged twenty-two, she finds herself alone in the world. Leaning against her garden gate, dazed and unhappy, she is disturbed by the sudden appearance of the perspiring Mr Wemyss.
This middle-aged man is also in mourning - for his wife, Vera, who has died in mysterious circumstances. Before Lucy can collect herself, Mr Wemyss has taken charge: of the funeral arrangements, of her kind Aunt Dot, but most of all of Lucy herself, body and soul. Elizabeth von Arnim's masterpiece, VERA is a forceful study of the power of men in marriage - and the weakness of women in love.
Beauty; beauty. What was the good of beauty, once it was over? It left nothing behind it but acid regrets, and no heart at all to start fresh.'
Approaching the watershed of her fiftieth birthday, Fanny, having long ago divorced Mr Skeffington and dismissed him from her thoughts for many years, is surprised to find herself thinking of him often. While attempting to understand this invasion, she meets, through a series of coincidences and deliberate actions, all those other men whose hearts she broke. But their lives have irrevocably changed and Fanny is no longer the exquisite beauty with whom they were all once enchanted. If she is to survive, Fanny discovers, she must confront a greatly altered perception of her self.
With the delicate piquancy for which she is renowned, Elizabeth von Arnim here reveals the complexities involved in the process of ageing and in re-evaluating self-worth.
A memoir about motherhood and music from the bestselling author of I KNOW WHY THE CAGED BIRD SINGS
'A brilliant writer, a fierce friend and a truly phenomenal woman' Barack Obama
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Loving the world, she also knows its cruelty. As a black woman she has known discrimination and extreme poverty, but also hope, joy, achievement and celebration.
In this her third marvellous volume, music and her son are the focus of Maya Angelou's life. She is on the edge of a new world: marriage, show business and a triumphant tour of Porgy and Bess.
'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY
'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON
A fun and fearless anthology of feminist tales, by sixteen bestselling, award-winning writers.
'Wonderful . . . all killer, no filler' Red Magazine
'Dazzling stories, as inventive as they are inspiring' Daily Mirror
'Where power and feminist rage meet' Stylist
BANSHEE. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO.
For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, sixteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.
STORIES BY: Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Annie Hodson, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeyemi, Rachel Seiffert, Kamila Shamsie, Ali Smith, with an Introduction by Sandi Toksvig
A BBC TWO BETWEEN THE COVERS BOOK CLUB PICK (BOOKER PRIZE GEMS)
The book that inspired Park Chan-wook's astonishing film The Handmaiden.
Shortlisted for the Orange Prize and the Booker Prize
London 1862. Sue Trinder, orphaned at birth, grows up among petty thieves - fingersmiths - under the rough but loving care of Mrs Sucksby and her 'family'. But from the moment she draws breath, Sue's fate is linked to that of another orphan growing up in a gloomy mansion not too many miles away.
BY A REMARKABLE CANADIAN WRITER. NOW A NETFLIX SERIES.
'Anne Shirley is, for me, one of the great characters of literature' LAUREN CHILD
'The grandmother of the YA/adult crossover novel' JEAN HANNAH EDELSTEIN, GUARDIAN
'The dearest, most moving and delightful child since the immortal Alice' MARK TWAIN
'Oh, it seems so wonderful that I'm going to live with you and belong to you. I've never belonged to anybody.'
When a scrawny, freckled girl with bright red hair arrives on Prince Edward Island, Marilla and Matthew Cuthbert are taken by surprise; they'd asked for a quiet boy to help with the farm work at Green Gables. But how can you return a friendless child to a grim orphanage when she tells you her life so far has been a 'perfect graveyard of buried hopes'? And so, the beguiling chatterbox stays. Full of dreams, warmth and spirit, it is not long before Anne Shirley wins their hearts.
This collection of the best children's literature, curated by Virago, will be coveted by children and adults alike. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving), E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess, The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.
By the author of The Handmaid's Tale and Alias Grace
The sun brightens in the east, reddening the blue-grey haze that marks the distant ocean. The vultures roosting on the hydro poles fan out their wings to dry them. the air smells faintly of burning. The waterless flood - a man-made plague - has ended the world.
But two young women have survived: Ren, a young dancer trapped where she worked, in an upmarket sex club (the cleanest dirty girls in town); and Toby, who watches and waits from her rooftop garden. Is anyone else out there?
Piercing the shadows of the naked stage was a single shaft of rosy limelight, and in the centre of this was a girl: the most marvellous girl - I knew it at once! - that I had ever seen.
'Erotic and absorbing . . . Written with startling power' New York Times Book Review
Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.
'How I loved reading Fruit of Knowledge ... Clever, angry, funny and righteous, also informative to an eye-popping degree' Rachel Cooke, OBSERVER GRAPHIC NOVEL OF THE MONTH
From Adam and Eve to pussy hats, people have punished, praised, pathologised and politicised vulvas, vaginas, clitorises, and menstruation. In the international bestseller Fruit of Knowledge, celebrated Swedish cartoonist Liv Strmquist traces how different cultures and traditions have shaped women's health and beyond.
Her biting, informed commentary and ponytailed avatar guides the reader from the darkest chapters of history (a clitoridectomy performed on a five-year-old American child as late as 1948) to the lightest (vulvas used as architectural details as a symbol of protection). Like Alison Bechdel and Jacky Fleming, she uses the comics medium to reveal uncomfortable truths about how far we haven't come.
'Just the thing for all the feminists in your life' Observer Books of the Year
'This book made me laugh in public (and also cry a little). It is the book I gave to my younger sister the next time I saw her because of its anger and brilliance and because it is an overwhelming source of knowledge about things we should all already know' Daisy Johnson, author of the Man Booker Prize-shortlisted Everything Under
'There are moments of genuine hilarity, as when Strmquist pictures the dinner party chatter of men living under a matriarchy, and others of fierce anger in this wild, witty and vital book' Observer Books of the Year
The sequel to I KNOW WHY THE CAGED BIRD SINGS
'A brilliant writer, a fierce friend and a truly phenomenal woman' BARACK OBAMA
Maya Angelou's seven volumes of autobiography are a testament to the talents and resilience of this extraordinary writer. Though fiercely loving the world, as a black woman, she also knows its cruelty. Angelou has known discrimination and extreme poverty, but also hope, joy, achievement and celebration.
In the sequel to her bestselling I Know Why The Caged Bird Sings, Maya Angelou is a young mother in California, unemployed, embarking on brief affairs and transient jobs in shops and nightclubs, turning to prostitution and the world of narcotics. Maya Angelou powerfully captures the struggles and triumphs of her passionate life with dignity, wisdom, humour and humanity.
'She moved through the world with unshakeable calm, confidence and a fierce grace . . . She will always be the rainbow in my clouds' OPRAH WINFREY
'She was important in so many ways. She launched African American women writing in the United States. She was generous to a fault. She had nineteen talents - used ten. And was a real original. There is no duplicate' TONI MORRISON
WITH AN INTRODUCTION BY A. S. BYATT
'She is undoubtedly one of the twentieth century's greatest American writers' OBSERVER
' ... a clear-eyed salute to the resilience of the human spirit and the innate hardiness of the immigrants' XAN BROOKS, GUARDIAN
'Willa Cather was a wordsmith of enormous talent' ROBERT SLAYTON, LOS ANGELES REVIEW OF BOOKS
'During that burning day when we were crossing Iowa, our talk kept returning to a central figure, a Bohemian girl whom we had both known long ago. More than any other person we remembered, this girl seemed to mean to us the country, the conditions, the whole adventure of our childhood . . . His mind was full of her that day. He made me see her again, feel her presence, revived all my old affection for her.'
My Antonia is the unforgettable story of an immigrant woman's life on the Nebraska plains, seen through the eyes of her childhood friend, Jim Burden. The beautiful, free-spirited, wild-eyed girl captured Jim's imagination long ago and haunts him still, embodying for him the elemental spirit of the American frontier.
In this powerful and astonishing novel, Willa Cather created one of the most winning yet thoroughly convincing heroines in American fiction.
Winner of the Man Booker Prize
By the author of The Handmaid's Tale and Alias Grace
Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following.
Sexually explicit for its time, The Blind Assassin describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one; while events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama.
A powerful call to confront the reasons why politics is jeopardising women's health across the world, by a prize-winning academic
'Radical and thought-provoking, this book should drive us all to action - and the author tells us how' Gina Rippon, author of The Gendered Brain
'Illuminating, accessible and important' Dr Rageshri Dhairyawan, author of Unheard: The Medical Practice of Silencing
We know the causes of death and disease among women all over the world. We have the funding and commitment from governments and philanthropists to tackle it. So why are women still dying when they don't have to?
In this essential, accessible book, Professor Sophie Harman argues that women's health is being caught in the crossfires of global politics - and gives us a roadmap for how we might stop it.
There are multiple case studies on how women's health is being used and abused by politics and politicians across the globe: the repeal of abortion rights, Serena Williams' near-death experience, the bombing of Ukrainian maternity hospitals, and lesser-known issues like health-washing by countries like Rwanda and the exploitation of women by the very health organisations that are supposed to help them.
Through these stories, Sick of It explores urgent, topical questions around populist politics, big data and how women's work is valued, and offers smart solutions on how to fix this crisis through activism and political work.
By the author of The Handmaid's Tale, The Testaments and Alias Grace
'Clara', she said, 'do you think I'm normal?'
'I'd say you're almost abnormally normal, if you know what I mean.'
Marian is determinedly ordinary, waiting to get married. She likes her work, her broody flatmate and her sober fiancé Peter. All goes well at first, but Marian has reckoned without an inner self that wants something more, that calmly sabotages her careful plans, her stable routine - and her digestion. Marriage à la mode, Marian discovers, is something she literally can't stomach . . .
Margaret Atwood's first novel is both a scathingly funny satire of consumerism and a heady exploration of emotional cannibalism.
'Atwood has the magic of turning the particular and the parochial into the universal' The Times
'Written with a brilliant angry energy' Observer
'Margaret Atwood not only has a sense of humour, she has wit and style in abundance . . . a joy to read' Good Housekeeping
'A witty, elegant, generous and patient writer' Punch
INTRODUCED BY HILARY MANTEL
Elizabeth Taylor is finally being recognised as an important British author: an author of great subtlety, great compassion and great depth - Sarah Waters
Writing stories that are extravagant and fanciful, fifteen-year old Angel retreats to a world of romance, escaping the drabness of provincial life. She knows she is different, that she is destined to become a feted authoress, owner of great riches and of Paradise House . . .
After reading The Lady Irania, publishers Brace and Gilchrist are certain the novel will be a success, in spite of - perhaps because of - its overblown style. But they are curious as to who could have written such a book - an elderly lady, romanticising behind lace curtains? A mustachioed rogue?
They were not expecting it to be the pale, serious teenage girl, sitting before them without a hint of irony in her soul.
*
'Her stories remain with one, indelibly, as though they had been some turning-point in one's own experience' Elizabeth Bowen
'No writer has described the English middle classes with more gently devastating accuracy' Rebecca Abrams, Spectator
'Juicy, shocking, witty, and almost continually brilliant' COSMOPOLITAN
'A brilliant novel: honest, engaging and sharp as a tack' SARAH WATERS
'Lively, vivid and exceedingly entertaining' SUNDAY TIMES
Not one of them, if she could help it, was going to marry a broker or a banker or a cold-fish corporation lawyer. . .
New York, 1930. Eight Vassar graduates meet in New York to attend the wedding of one of their friends - and reconvene seven years later at her funeral. Young and fearless, they vow not to become stuffy and frightened like their parents, but to lead fulfilling, emancipated lives. But which of them will achieve that dream - and at what cost?
Ground-breaking in its fearless portrayal of female friendship, sex and the struggle to have it all, The Group was a revelation, a scandal, and an instant bestseller.
'McCarthy's characters confront many of the same issues as their modern counterparts: sex and contraception, career and marriage, love and lust, fidelity to one's husband versus loyalty to one's friends and the attempt to carve out a place for oneself unconstrained by the gender limitations of previous generations. Its continuing relevance is one of the book's most extraordinary attributes' ELIZABETH DAY, GUARDIAN
